COMMUNICATION PROCESSES IN MODERN ACADEMIC AND MASS MUSIC ART

Abstract

Research objective is to identify the key principles of interconnection of individual parts of musical communication, combining the physical and virtual components of this process into a general structure of communication contacts in modern academic and massive music art. The methodology research is based on the system-analytical method (the phenomenon of musical communication is considered as a system of communicative links, the elements of which are in unity and form an integrity through their interaction); comparative-historical (comparison of features of musicalcommunicative processes in the XVII – XIX, XX and XXI centuries); methods of data analysis and interpretation of indicators. The scientific novelty of the work lies in supplementing the generally accepted scheme of relationships of the subjects of musical communication with new links that correspond to the latest discourses of communicative contacts in modern academic art and mass culture. Conclusions. The phenomenon of musical communication is a complex system of communicative links, the elements of which are in structural unity and their interaction forms a common integrity. We have proposed the following basic structure of communication in contemporary academic and massive art: composer – work – performer – media form of the work – communicative space – listener. Additional communication links of this structure include: publisher, editor, musicologist, critic (blogger), teacher-consultant, author of the arrangement, conductor, sound engineer, video director, producer, sound producer, sound designer, art director, director broadcasts. The diagram of the structure of musical communication is given in the work, where the arrows indicate the direction of the communicative process (one-sided arrows) or the communication interaction of the system elements (two-sided arrows). The table “The role of the main links of musical communication” created, which analyzes some of the most important, in our opinion, elements of the musical-communicative process in modern academic and massive music culture of Ukraine.